“Advice on How to Get Your Writing Noticed from Estelle Erasmus”

“Advice on How to Get Your Writing Noticed from Estelle Erasmus”

GUEST POST from author/educator/journalist ESTELLE ERASMUS

As legendary memoirist Abigail Thomas said about Writing That Gets Noticed“It’s an encyclopedia of writing advice, but feels like a conversation.”

A Curious Mind Takes You A Long Way

I think a successful freelance writer keeps a curious mind, and a beginner mindset and gathers information, and then makes sure that the craft supports the execution of the essay, article or pitch. They also realize that publishing is a long game, and so they look into various ways to tell their stories: through micro memoir, substack posts (where they can accrue subscribers, and eventually get paid), podcasts and new technologies. The traditional media venues are shrinking so it’s important to find new ways to get what you want to say out there and build an audience for your message or writings.

The Importance of Building Your Craft 

I think that the cream rises to the top, and if people aren’t able to craft a story well, they will lose their readers over time. A publication may want them for a “clickbait” story, but once that story is over, if they don’t know how to tell other less sensational stories they won’t be published consistently in credible publications. I think to develop craft people can read books for ($20 and less) like mine, and others, read about craft in Brevity and Writer’s Digest, and listen to/watch free podcasts like Freelance Writing Direct that offers craft and writing advice, directly from authors, agents, editors and publishing and media professionals, including how to structure books.

The next level is attending online webinars for a small fee (I love the ones offered by Jane Friedman and also CRAFTSTALK). You might also consider taking a class at your community college, but make sure that the person teaching has the kinds of bylines or books you aspire to, as well as deep ties in the industry.

Another option is to take classes at established organizations like the ones I teach for Writer’s Digest. A fifth level is to take a university-level class for adults, which I teach at NYU’s School of Professional Studies.

Finally, they can invest in attending conferences (virtual and in-person) and going to sessions taught by industry leaders. Many writing coaches also offer 1 x 1 coaching which requires a deeper investment. I always advise having some experience with the person first before putting a great deal of money down.

How Can you Make Your Mark as a Journalist?

I would say that to make your mark as a journalist, it’s important to not shy away from the big story. Go Big! Don’t be afraid to challenge yourself to explore new, groundbreaking subjects. If you stick to doing round ups or very service oriented pieces (how to carpet your guest house), you won’t get the kind of attention to make a name for yourself. I always tell my writing coaching students that they should work on adding voice to any service pieces that they write. This can be done in the intro statement and also at the ending of a piece.

My Best Advice if You Want to Write

As Jackie Collins said, “If you want to be a writer-stop talking about it and sit down and write!”  To start out in a professional capacity, write anything you can and for everyone you can. When I was starting out I wrote brochure copy, book reviews, pieces for local newspapers, and then wrote for magazines once I became a magazine editor. But, I always kept learning and growing and never gave up.

If you want to write a memoir, start writing your stories, and try to get some of them out in micro memoir form. A lot of the bloggers that I knew when we all blogged have since written books. I think it helped that they were in the practice of writing every day, and kept honing their skills. It’s important to realize that publishing is a long game, and so think of your writing that way and never give up.

Estelle Erasmus: an award-winning journalist, is the author of WRITING THAT GETS NOTICED (named a “Best Book for Writers” by Poets & Writers Magazine), a Contributing Editor for Writer’s Digest, and host of the podcast Freelance Writing Direct. She is an adjunct instructor for NYU’s School of Professional Studies/Center for Publishing and Applied Liberal Arts, has written for over 150 publications, including The New York TimesNext Avenue/PBSWIREDThe Independent,The Washington Post, and AARP: The Magazine, and was the editor-in-chief of five national publications. Find out more at estelleserasmus.com and follow her on Substack at https://estelleserasmus.substack.com and on social media: @EstelleSErasmus.

Author of  Writing That Gets Noticed

In Poets & Writers “Best Books for Writers”

2023 Zibby Award winner for the “Best Book for The Writer”

Recipient 2023 NYU SPS Teaching Excellence Award

Contributing Editor, Writer’s Digest

www.estelleserasmus.com (sign up for my newsletter)

Sign up for my substack

Freelance Writing Direct Podcast  (I speak to Cheryl Strayed, Ann Hood, Noah Michelson  and more)

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Literary Citizenship Is Open to Everyone & How to Be a Good One

 

Thursday, 13 March 2025

Literary Citizenship is Open to Everyone and How to Be a Solid One

I agree that the concept of literary citizenship is about supporting endeavors and people involved in writing, but it can also be viewed as anyone from writer to publisher to librarian to reader because the eco system of publishing doesn’t happen in a vacuum. It happens in some way, shape, or form everywhere you look because everywhere you look there is something to read. Something that someone had to conjure from thin air to make sense of something else.

Signage. Labels. Instructions. Emails. Texts. Art. Social media. Calendars. Books. Magazines. Newspapers. Billboards. You belong to the literary world because you can’t get through a day without reading something. Sometimes I think that might be why people don’t read books. They’re already reading everything around them. Why read more in a book?

Citizenship implies membership in a community of persons with goals that are at least similar. And it implies responsibilities. As a no-dues-here member in good standing, each literary citizen should contribute to the greater good. Contributions range widely. Obviously, I’m extending on the idea of supporting writers because writers NEED readers. Plenty of writers don’t make their work public, but most writers want to and that can’t happen without a reader to receive and possibly respond to the writer’s words and ideas.

Not all support means money. Time and effort are just as valuable even as they can also equate to money. Here are some ideas on how you can support the literary world we all live in with just time and effort and be a solid literary citizen.

  1. Check in with a writer. You don’t have to talk story with them, just let them know you know they write and that you appreciate that.
  2. Ask for their books at the library and the book store. Not all stores are going to be able to get some books, but that’s okay. It’s on their radar now and that helps. Every library takes requests from patrons about buying books. Librarians will at least take a serious look if you make a serious recommendation.
  3. If you own the print book, get caught reading it in public. If you don’t own it, check it out of the library. Even if no one asks you about it, they might take a look at the book cover. Ahem, you may want to be considerate of others when choosing a book cover to go public with. Just sayin’.
  4. Free. Little. Libraries. Give if you can.
  5. Attend book readings. I could be wrong, but I’ve never seen anyone charge money to people who show up at a reading. Readings are usually free. Go. It would be nice if you could buy the book and get it signed at the reading!
  6. Stop at least once a day and say to yourself, “I wonder who wrote that?”

Literary citizenship is an important element in the world of writing and publishing. It’s the give-and-take part of belonging to any worthwhile group. It is the juicy stuff that binds us to one another to be supportive, respectful, and helpful as we journey through the world. Within the literary citizenship concept lies opportunities to enrich and be enriched by a diverse group of writers.

A good literary citizen actively and purposely gives as much as they take. The good stuff. It can be gently used, which sometimes makes it advice, but a place to toss refuse it is not. That isn’t to say that the writing community won’t listen when you have an elephant to shove off your chest. They will.

When I say that everyone can be a member of the literary community by virtue of reading, that isn’t to denigrate those who seize the ideas, write them down, and either share them or hide them under the bed. We’re all literary citizens, and we should support each other.

One of my ways of demonstrating literary citizenship is to post a regular feature in my newsletter focusing on books. It’s called “Books By My Friends” where once a month I tell you about the books from my author friends. Email me if you have a book published in the last year and want it considered for BBMF! It’s free:)

writerwellness at gmail dot com

In what ways are you a solid literary citizen?

Be well, write well!

~Joy


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JOY E. HELD is an author, educator, editor, entrepreneur, and literary citizen responsible for this site and its contents. She is the author of
Writer Wellness: A Writer’s Path to Health and Creativity (Headline Books, Inc., 2020)
Writer Wellness Workbook: A Guided Workbook and Journal to Accompany Writer Wellness: A Writer’s Path to Health and Creativity (Headline Books, Inc., 2023)
The Mermaid Riot (Fire and Ice YA, 2024) Young Adult Historical Fantasy
She writes spicy historical fiction under a pen name.
She is the winner of multiple writing and book awards:
West Virginia Writers, Inc. Annual Writing Contest, Honorable Mention, Novel, 1998.
New York Book Festival, Honorable Mention, Writer Wellness, 2020.
Next Generation Indie Book Awards, Finalist, Writer Wellness, 2021.
Northeast Ohio Romance Writers of America, Member of the Year, 2020.
Northeast Ohio Romance Writers of America, First Book Award, 2020.
She is an adjunct faculty member in the Southern New Hampshire University Online MFA Creative Writing.
She is a proud graduate of Seton Hill University in Greensburg, PA with an MFA in Writing Popular Fiction.
She is a member of The Authors Guild and the Society of Children’s Book Writers and Illustrators.
Joy is the founder and CEO of My WRITEDAY Subscription Box for writers and readers.

This article may contain affiliate links which may result in the author receiving a commission when readers purchase items through the links.

You are receiving this message because you previously signed up for notifications or participated in a program/course with Joy. You may unsubscribe at any time.


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