GUEST POST: EXPLORING THE STORY THAT CAME BEFORE THE STORY BY LYNN SLAUGHTER

GUEST POST: EXPLORING THE STORY THAT CAME BEFORE THE STORY BY LYNN SLAUGHTER

Missing Mom by Lynn Slaughter

Saturday 2 August 2025

 

I’ve long been fascinated by real-life mysteries of missing persons, people who suddenly disappeared from their loved ones’ lives. So many questions, and often, so few answers. Were they victims of foul play? Kidnapped? Running from something? Running toward something that they found more appealing than their current lives? So many possibilities, and for loved ones left behind, so much grief and uncertainty.

Given my interest in missing persons’ cases, I guess it’s not surprising that I decided to explore what happens to someone left behind. Thus was born the premise for my latest novel, MISSING MOM, in which Noelle, a seventeen-year-old, is distraught over her mother’s sudden disappearance. Despite the circumstantial evidence, she doesn’t believe that her mother would ever have committed suicide and is determined to unravel the mystery of what happened to her mom.

As writers, we often talk about the importance of digging into the backstories of our characters to understand their choices and reactions. Why, for example, is Noelle so sure her mother did not commit suicide? The answer lies in her unusually close relationship to her mother who is such a great listener and so supportive that even Noelle’s friends flock to her mom for advice and counsel. On the day she went missing, Noelle’s mother had made plans to go out with her daughters to the mall for school shopping and pizza. The idea of her mom deciding, “Never mind shopping and pizza. Now I’m going to kill myself” makes absolutely no sense to Noelle.

So, what did happen to her mother? The mystery turns out to be related to the saga of a young woman nearly twenty years earlier who managed to escape from an abusive marriage. I found this young woman’s story riveting and decided to thread it throughout the novel.

After I’d written MISSING MOM, I discovered that what I had done is called a “time slip novel,” in which interconnected stories from different time periods appear. Although time slip novels are not uncommon, this marked the first time I’d ever attempted one, and I found it exciting to try something that was new for me as a writer.

All in all, I loved exploring the story that came before the story I set out to tell. Sometimes our curiosity takes us into new and unexpected places, which makes writing and reading especially pleasurable.

 

 

BIO:

Lynn Slaughter is addicted to the arts, chocolate, and her husband’s cooking. After a long career as a professional dancer and dance educator, she returned to school to earn her MFA in Writing Popular Fiction from Seton Hill University. Her six published novels have received numerous accolades, including a Silver Falchion Award, an Agatha nomination, an Imadjinn Award, and a Moonbeam Silver Medal. Midwest Book Review called her most recent work, Missing Mom, a “remarkable book” that “invites readers to immerse themselves in a narrative that beautifully captures the essence of struggle and triumph.”

Lynn’s website: https://lynnslaughter.com

Purchase links for MISSING MOM:

Amazon
Barnes & Noble


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“Write what you know”

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I read, write, and study historical romance. My most recent completed manuscript is 470 pages long and currently designated as “historical fiction with romantic elements.” The distinction is because the couple in the story doesn’t meet (meet-cute) by page five of the novel. This is kind of a burr under the saddle for me because I believe that historical romance readers, no matter how experienced, want and appreciate the world-building and character motivations at the start of a book regardless of how long it takes for the two main characters to eventually collide.

However, the contemporary industry standard of the heroine and hero appearing within the first five pages is applied across the sub-genre board. So, I’m presently stuck with the label of “historical fiction with romantic elements” because a lot has to happen to Molly, Romney, and America before they find each other and start their journey together. I hope that makes sense. At first, I was dismayed by the nomenclature, but I’ve embraced it now because it’s not that big of a deal…until I go agent and publisher shopping. Since I don’t have time to pursue that part of the process yet, I’ve decided not to angst over it. Spoiler alert: Molly and Romney end up together.

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The book is my response to “write what you know” and to fill a void in historical romance offerings. Frontier America, specifically the Northwest Territory, was a rough era and not viewed by some publishers and readers as romantic enough to be a popular setting or time period. I live and work in the belly of this particular beast, aka The Mid-Ohio Valley, and the research is literally at my fingertips. My house is near the Ohio River where my characters almost drown. I work on the campus of a local college whose library has one of the most extensive Special Collections of pioneer history in the country. There are actual pioneer cabins preserved and on display in a local museum that I drive by every day on the way to work.

However convenient, it hasn’t been easy, but I don’t read, write, and study historical romance because it’s easy. I do it because I’m fascinated with the human project. I’m in total awe of women who cooked without an electric stove or wiped up spills without paper towels or any number of other modern civilities we live by today that were non-existent in early America.

They must have been really strong-willed people driven by something that helped them survive seriously difficult situations so that you and I can be doing this amazing thing (having a meeting of the minds via technology) right now. I think the “something” that propelled and motivated them was love, and I respect the hell out of the men and women who paved the way for me in spite of the mistakes they made. I read, write, and study historical romance out of respect for the past, curiosity about humanity, and the love of words. Most of all, I want to believe that love conquers all. So, don’t burst my bubble, okay?

I’ve gone overboard with telling you a “little” about my project. Now, you understand why my manuscript is so long.

I’m more concerned about the condition of the publishing industry lately than the length of my manuscript. We live in the “United States of Amazon,” and it’s their prowess and whims that have me wondering constantly how to really connect with readers. Publishing is the EASY part thanks to Amazon (and others) literally giving birth and providing respectability to the self-publishing concept, but I worry about getting the message out to pull readers into my books. More on this later.

All good things,

j

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